Richard Smith :: Projects

   
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Design By Sequence

     

Title: A Bridge to the Past, A Path to the Future
Medium and Dimensions: : Bamboo and Fiber, 17’’ x 20’’ x 108’’

. An A is four leaves, a G is three, a C is two, and the lonely T receives one leaf.

     
 
     
 
     
 
     
 
     
   
     

Statement:

Over the past days, I can’t count the number of times people walked past my workbench and asked, “What is that?”

Each time, I took a few minutes to explain the project and the class, and their confusion soon changed into understanding, then into fascination. Those with free time often examined closer, as though trying to peer into the genetic soup and find my sequence. One asked if they could look at the sequence itself, then tried to follow my thought pattern that had led to the construction of a bamboo bridge. I wished that gentleman good luck, but the lucky viewer will get a cheat sheet direct from the source.

I wanted to go two directions with this project; the primitive past, and the complex future. My original plan was to forge a similar sculpture out of metal, but I found the cost prohibiting. Instead, I focused on a very basic, very primitive look. Our genes controlled our developmental past and regulate our present. They do not however, dictate our future. When you are walking across a bridge, you path is limited to what’s ahead and what’s behind. You don’t have a choice of branching out in different directions. The choice comes once you get off the bridge, once you have crossed the divide. In a similar fashion, once we get over the idea that our genes control who we are and what we do, I believe that our world will open up once again. But a bridge is not a one way path. At any time, should we choose, we could find ourselves on the bridge once again.

A Bridge to the Past, A Path to the Future has a simple key to understanding. The leaves spiral around the pole as they climb upwards, as the DNA chain spirals around itself. Each cluster of leaves represents a base from the Ammonifex degensii genome. An A is four leaves, a G is three, a C is two, and the lonely T receives one leaf. Mutations occur in the second half of the bridge, and while some are visible in normal light, many cannot be identified without the help of a black light. I wanted some of the mutations to be hidden, showing that to the observer, there is nothing wrong with the sequence until a test is applied. As part of my mutations, four bases were dropped from the sequence, and rest beneath the main pole as though they had fallen off the bridge.

 

Original Sequence:

The Unaltered sequence is as follows:
TTATTAAGTACCTAGTTGACACTGA
TTGGATTGTTTATTTCTTACGTGGT

The sequence which was to be mutated appeared as this before mutations:
AAAGAACCATATGTCTCTATTTTAA
AACAGTACCGTTCGGATGGATTGGC

 

Mutated Sequence:


And finally, the mutated sequence as it appears on the bridge:
ATAGACCAATATTTTCTATTCTAA
----GTGCCGCTCGTATGCATTCGC

The variations are subtle, but include single point mutations, reversals, and dropped bases. While to us, the letters look random whether mutated or “normal,” they appear as logical as arithmetic to our cells. Never forget though, the mind controls the body. The self is more important than the cell.

 
     
     
     

Genetic Art Proposal

 

   
Title:     
     
Summary: