GE 71C (Biotechnology & Society)- Seminar 3

Genetics and Culture: From Molecular Music to Transgenic Art

         
Day   Thursday      
Time   3:00 PM to 5:50 PM      
Location   2278 Public Policy    
           
Instructor   Ruth West      
Office hours        
E-mail   ruth.west6@verizon.net    
           
   
Description
     
  Is creating a glow-in-the-dark transgenic rabbit art, or is it science? What is the potential impact of listening to molecular music or creating artificial life? Are artists adding something to our understanding of life that scientists are not or simply cannot? Do these interdisciplinary efforts give us keys to achieving the leading edge in any field? The goal of this course is to introduce students to innovative art practices that have scientific concepts at their core. This course will encourage students to imagine disciplinary connections, building bridges between the arts and genetics while exploring the emerging field of Genomic Arts. We will enter the dialog between the arts and sciences through the work of contemporary artists, discussions, readings, research, creative projects and writing.
           
           
 
Syllabus
     
         
    Assignments/Evaluation      
           
  Download Acrobat Reader: http://www.adobe.com/products/acrobat/readstep2.html
      There are several items on this syllabus in PDF format. They are indicated as (PDF) after the title/link to the materials. You can either set your borwser preferences to use Acrobat Reader as the helper application and view them in the browser, or you can save them to disk and read them locally using Acrobat Reader.
         
April 3, 2003
 
1
Genomic Art: Overview

 

 

   
  • Course overview
  • Genomic Art - overview
  • Interactive arts: Media Arts Video segment, Design
  • |Media Arts, Rhizome
  • Genetics: The basics about DNA and the genetic code.
  • Sampling of online resources for artists and genetics.
   
   
Reading/Surfing   Assignment

Reading:

  • McCloud, Scott, “Art as I see it…” Understanding Comics: The Invisible Art, Harper Perennial, 1993, pp.164-171.
    Course Reader

Surfing:

 

Generating ideas:

  • Do a net/library search on "art" combined with each of the following: science, genetics, technology, biology. Feel free to do more searches with different terms. These are just to start the process.
  • Record the exact search terms you used and note what you found interesting at each site you visit in your Ideas Journal, include links and notes.
  • From the above, select 5 references/links about genomic art, genetics, science as culture, or a related topic.
  • Cite each reference in MLA citation format.
    • http://www.english.uiuc.edu/cws/wworkshop
      /MLA/bibliographymla.htm
    • http://www.mla.org/www_mla_org/style/
      style_main.asp?level=2&mode=page&page=
      1&link=sty72800121438&section=sty51800124510
  • Annotate each reference using 2 – 3 sentences explaining why your chose this source, include the key ideas of interest.

Send by e-mail to instructor:
Due Wednesday, April 9, 2003, by 12 NOON.

  • Be prepared to discuss these ideas, links and the readings in class.
     
     
April 10, 2003
 
2
Art of the Gene
   
  • Art & Science?
  • Paradise Now: Picturing the Genetic Revolution
  • Aziz+Cucher, Eduardo Kac, Heather Acroyd and Dan Harvey, George Gessert, Alexis Rockman, Laura Stein, The Tissue Culture Project
  • Paradise Now: Video screening
  • Genome Project : online and video
  • Discussion of our collective surfing/research/reading
  • Working definitions: culture, art, science, memes
  • Project Assigned: Design by Sequence -- See Assignments
   
   
Reading/Surfing   Assignment
  • Sturken and Cartwright, "Practices of Looking: Images, Power and Politics" pp.10-44: course reader
  • Sturken and Cartwright, Practices of Looking: Glossary, OUP, 2001, pp. 349-370, course reader
  • Byrne, John Life Science: A Review of Ars Electronica '99 Third Text, No. 49, Winter 1999, pp. 93-97.
  • Review writing process guidelines
  • The Tissue Culture Project (Ars Electronica 2000) http://www.tca.uwa.edu.au/
  • Be prepared to discuss the reading next week in class.

Generating ideas:

Using the Ideas Journal format:

  • Find 10 references/links of interest to you about genomic art, genetics, science as culture, or a related topic.
  • Record the exact search terms you used.
  • Cite each reference in MLA citation format.
  • Annotate each reference: Write a brief list of key ideas from each reference and your thoughts about them in your ideas journal. A couple of sentences that are precise, complete and brief is what you are striving for here.

Send by e-mail to instructor.
Due Wednesday, April 16, 2003 by 12 NOON.

Reading response:
Complete the reading/surfing and write a one page Reading Response.
Due week 3 in class, April 17, 2003.

Design by Sequence: Assigned today. This project is due/ you will present your work, Week 7 in class. Be prepared to present your project proposal week 4 in class to the group.

  • Be prepared to discuss your ideas, links and the readings in class next week.
     
     
April 17, 2003
 
3
Organisms as Art

 

 

  • Transgenic Art: Eduaro Kac
  • The work of Joe Davis
  • Ars Electronica 1999, 2000
  • Biotechnology: a primer, GMOs, Terminator seeds, Monsanto
  • Eduardo Kac: Video
  • Generating ideas: Discussion of our collective surfing/research/reading.
  • Projects Assigned: Final project/paper
  • Resources: UCLA Genetics & Art research sources
  • Artist presentation: http://www.desertspace.org/
   
   
Reading/Surfing   Assignment

 

Generating ideas:
This week you will be coming up with ideas to research for your final project/paper.

Using the Ideas Journal format:

  • Cite 10 references in MLA format that support/expand a few key ideas from the research you’ve done over the past weeks and which you could want for your final project.
  • Record the exact search terms you used.
  • Annotate each reference: Write a brief list of key ideas from each reference and your thoughts about them in your Ideas journal.

Send by e-mail to instructor.
Due Wednesday, April 23, 2003 by 12 NOON.

Design by Sequence: Continue working.
Be prepared to present your project proposal week 4,
(April 24, 2003) in class to the group.

     
           
April 24, 2003
 
4
Organisms as Art - Continued
     
  • In class student presentations of Design By Sequence proposals
  • Eduardo Kac: Video
  • Artist presentation: http://www.desertspace.org/
  • Brandon Balangee, and others.
  • Symbiotica
           
   
Reading/Surfing   Assignment
  • Turkle, Sherry, "The Quality of Emergence," Life On The Screen: Identity in the Age of the Internet, Touchstone/Simon and Schuster, 1995, pp. 125 - 14
  • Sommerer Christa, Mignonneau, Laurent, "Art as a Living System," Art@Science, 1998, pp. 148-161: course reade
  • Virtual Fishtank - AI online interactive
    and onsite exhibition:
    http://www.VirtualFishtank.com/

 

Generating ideas:
This week you will be refining ideas for your final project/paper.

Using the Ideas Journal format:

  • Cite 10 references in MLA format that support/expand a few key ideas from the research you’ve done over the past weeks and which you want to refine for your final project.
  • Record the exact search terms you used.
  • Annotate each reference: Write a brief list of key ideas from each reference and your thoughts about them in your ideas journal.

 

Send by e-mail to instructor.
Due Wednesday, April 30, 2003 by 12 NOON.

     
           
           
May 1, 2003
 
5
A-Life and Genomic Arts

 

   
  • Christa Sommerer and Laurent Mignonneau
  • Harold Cohen (AARON)
  • Digital Biota
  • Art and Aesthetics of Artificial Life
  • AI & Art Site
  • A-Life/Interactive Arts: Video
  • Guest Speaker: Artificial Intelligence/Artificial Life
   
   
Reading/Surfing   Assignment

No reading/surfing assignment this week so you can focus on your Design by Sequence that is due next week. :)

Design by Sequence:

Due 5/8/2003 in class.

Bring the following to class on the due date:

  • The "original sequence" version of your project.
  • The "mutated" version of your project.
  • Your "Artist Statement" which includes
    • Your name
    • Title of your artwork
    • Dimensions
    • Medium/materials used
    • Legend: what are your A, C, T & G
    • The ideas/concepts that motivated the work.
    • A description of your creative process. E.g. how you made the music structure etc.
    • Reflections on your artwork, such as: Your thoughts about the use of genetic information as a structure to guide what you are designing, or any other reflections you have about your creative process in the making of this work. Some things to think about: Is the "mutated" design different in what it evokes than the "original?" Does it convey the same meaning you originally intended? What was it like to have this kind of preexisting structure determine you creative direction?
    • The original sequence you based your artwork on (the actual bases you used) and the BLAST information you originally got about the entire sequence.
    • The mutated sequence you used for your mutated artwork.
  • The Artist Statement should be typed, single spaced with 1 inch margins. BRING THIS WITH YOU TO CLASS.
  • Send the Artist Statement as a MS-word file via e-mail to instructor by May 8, 2003 so that it can be placed on your project web page.

 

   
     
May 8, 2003
 
6
Design By Sequence: In Class Presentations

 

   
  • In class presentations: Design By Sequence projects
   
   
Reading/Surfing   Assignment
  • Turkle, Sherry "Artificial Life as the New Frontier,"
    Life on the Screen, 1995, 1997,
    pp.149-174: course reader

 

  • Be prepared to discuss the reading in class next week with our guest speaker, Dr. Gessler.

 

Due today - Design by Sequence

 

Final project/Research paper topics: Select a final project/paper option (see assignments) and then from your Ideas Journal, Generating ideas notes, reading, or other research, decide on a final project/research topic for your final paper. Bring typed topic paragraph to class. It should be no longer than well written half page, double spaced.

Due May 22, 2003 - NOTE DATE CHANGE

 

 
     
   
           
May 15, 2003
 
7
A-Life, Simulations, Games and Evolution

 

 
  • Guest speaker: Simulation and evolution - Dr. Nick Gessler
  • Tom Ray, Karl Sims, Michael Joacquin Grey, Gordon Selly (Technosphere), Santa Fe Institute, Creatures,
  • Computational evolution
  • Genetic programming
  • Gordon Selly: Video
  • Karl Sims: Video
  • Student final project/paper topics: in class presentations
   
   
Reading/Surfing   Assignment

No additional reading/surfing assignment this week so you can focus on the rough draft for your final project that is due next week. :)

 

 

Topic proposal: write a well-written paragraph (about half page) topic proposal for your final project/paper.

Bring to class in printed format next week, May 22, 2003. -- NOTE THIS IS A DATE CHANGE

Be ready to present this to the group at the beginning of class.

 

 

     
May 22, 2003
 
8
Creative Cloning

 

   
  • Continue with AI/A-Life
  • Nancy Burson, Natalie Jeremijenko, Iñigo Manglano-Ovalle
  • Natalie Jeremijenko: Video
  • Cloning: Nightline video or Artificial Life video or Ethics of Cloning video
  • Molecular music: DNA music, Nanotech video section
   
   
Reading/Surfing   Assignment
  • Dawkins, Richard, “Memes: The New Replicators,” The Selfish Gene, Oxford University Press, 1976, pp. 203-216

Final Project/Paper - Rough Draft:

Complete a 2 page rough draft of final project/paper.

Bring in typed format to class next week, 5/29/03.

Note: We will be doing an in-class exercise with these rough drafts.

Due May 29, 2003 in class. - NOTE THIS IS A DATE CHANGE

     
     
       
May29, 2003  
9
Artists Survey
     
  • Gene(sis) Contemporary Art Explores Human Genomics
  • ASCI.org (Art Science Collaborations)
  • Others...

 

   
   
Reading/Surfing   Assignment

No additional reading/surfing assignment this week so you can focus on your final project that is due next week. :)

Final project/research paper & presentation.

Complete your paper/project/presentation.

  • Prepare a 5-minute in-class presentation of your final project/paper in PowerPoint format.
  • Turn in both the paper in MS-word format and the PowerPoint presentation file on a ZIP disk at the beginning of class.
    • Label the ZIP disk with your NAME, UID, and paper/project title and the date.
  • Bring the typed paper to class.
  • Be ready to present your powerpoint presentation of your project to the group in class.

Due in class, June 5, 2003.

     
     
           
   
           
June 5, 2003
 
10
Synthesis    

 

 

   
  • Course synthesis
  • Final project presentations
  • Celebration!
   
   
Reading/Surfing   Assignment
   

Due today: Final project/paper

  • Turn in both the paper in MS-word format and the PowerPoint presentation file on a ZIP disk at the beginning of class.
    • Label the ZIP disk with your NAME, UID, and paper/project title and the date.
  • Bring the typed paper to class.
  • Be ready to present your powerpoint presentation of your project to the group in class

 

     
           
 
Resources
     
    Glossary      
    Practitioners      
    Media Arts      
    Genetics/Science